kyle jean rand
Oaxaca workdesk tita studio (taken by solange) Outside Oaxaca (taken by shway) studio (shway) studio (shway) sleeping with tita (solange) tonina (shway) tonina (shway) tonina (shway) tonina tonina chiapas hotel (shway) chiapas hotel (shway) chiapas hotel (shway) chiapas hotel (shway) chiapas hotel (shway) chiapas hotel (shway) chiapas hotel (shway) chiapas hotel (shway) chiapas hotel (shway) chiapas hotel (shway) chiapas hotel (shway) chiapas hotel (shway) chiapas hotel (shway) chiapas hotel (shway) chiapas hotel (shway) chiapas hotel (shway) chiapas hotel (shway) oaxaca natural dyes oaxaca natural dyes oaxaca natural dyes oaxaca natural dyes xalapa (solange) xalapa (solange) xalapa xalapa veracruz museum of anthropolgy veracruz museum of anthropolgy (solange) veracruz museum of anthropolgy (solange) veracruz museum of anthropolgy veracruz museum of anthropolgy veracruz museum of anthropolgy puebla (solange) puebla (solange) puebla (solange) asleep with dirty feet (solange) museum museum
the road 2006
- and she cried, and she kept crying and he understood that indifference was no longer treating him like the pharaoh that he once felt himself to be, rather a helpless lover, pathetic, watching, unable to impose himself upon his own fate - how good he has been to me - and yet, and yet, it is over; so it is that if one is to claim for themselves the difficulties of indifference, weakness too must be a state of power, a place of royalty from which you attack your own life with the relentless intensity of a hungry beggar, a dry addict, an over-extended monarch, power is not a function of luck, although when one has been lucky it is rather hard to believe this, none of us are chosen, luck is built, fate loved -
BACK TO IMAGES